In Finale, a backbeat is the second half of the beat (in duple meters); thus the second eighth note of every beat in or time (or the second quarter note in time) is the backbeat. In triple meters, the last two thirds of the beat are the backbeats. In both cases, “beat” is determined by the durational value of the denominator in the Time Signature dialog box. The backbeats of a meter could either be the second eighth note of each beat (if you represented the meter with three quarter notes in the Time Signature dialog box) or the second and third quarter notes of the measure (if you represented the meter as a dotted half note in the Time Signature dialog box). See Time signatures for more information on defining meters.
You can use the MIDI Tool to affect only the backbeats of a piece. You might, for example, boost the velocity of the backbeats to give the music a rockier sound. If you’re preparing a Strauss waltz for playback, you could delay the attacks of the backbeats for a slightly more Viennese feeling.
A downbeat is the first beat of the measure. A backbeat is the second half of the beat (or, in a triple meter, the second and third of the beat). An Other beat is any other beat, where a “beat” is defined as the lower half of the time signature (a quarter note in the top example, a half note in the next, and a dotted half note in the bottom example).
To alter the key velocity of backbeats
If you want to edit only one staff (and the desired region fits on one screen), double-click the highlighted region to enter the MIDI Tool window.
To alter the durations of backbeats
See Swing.
To copy or erase MIDI Tool editing
See MIDI —To copy or erase captured (or edited) MIDI data.