UNST 104A: Faith and Reason
Portland State University
Fall 2010
(c) John S. Ott

Reading Guide:
Apuleius, The Golden Ass, trans. P. G. Walsh
Book I.1-23, 26 (pp. 1-15, 17), Book II.1-12, 31-32 (pp. 18-26, 37-38), Book III (pp. 39-57), Book IV.1-5, 23-27 (pp. 58-61, 71-74),
Book VI.25-32 (pp. 113-119), Book VII.1-15 (pp. 120-129), Book VIII.23-31 (pp. 153-160), Book IX.8-14 (pp. 165-170),
Book X.13-23, 29, and 34-35 (pp. 200-207, 211-212, 215-17), Book XI (pp. 218-240)




Background notes

For a fuller summary of his life and writings, read the introduction of Walsh's translation (pp. xi-xviii).

We know very little about Apuleius apart from what he tells us in his surviving writings.  He  was born in the 120s CE in Madauros, a Romanized town in northern Africa in what is now modern Algeria.  He was born into an elite political family, and his family's wealth permitted him to receive an education in Carthage (north Africa) and Athens, two of the pre-eminent educational centers in the Roman Empire.  He knew and could speak Greek (the language of the educated), Latin (the common language of the Empire), and the local north African dialect, Punic.  He traveled extensively, and lived in Rome, Athens, Carthage, and at Oea, in what is now modern Libya.  While on a trip during his 30s, he fell seriously ill and stayed at Oea for a long time at the home of a former fellow-student from his days in Athens.  While there, he fell in love with his friend's widowed mother and eventually married her.  He was soon accused of marrying the woman, Pudentilla, for his personal gain (she was very rich).   When his school friend and host suddenly died, Apuleius found himself charged with magic use and murder by his wife's first husband's brother--magic use to induce Pudentilla to marry him, murder in killing her son (his friend).  He was put on trial, and ultimately defended himself from the charges successfully.  This background sheds some light onto his treatment of magic (and courtrooms) in The Golden Ass.

In any event, Apuleius quickly left Oea and settled in Carthage, where his already formidable reputation as a philosopher in the Platonic tradition earned him public fame.  He was also a poet, public lecturer, an enthusiast of natural history, and a wit.  The Golden Ass, or Metamorphoses, is the one Roman "novel" or "romance" (his word for it) to have survived the classical period.  It was based on an existing Greek novel called Lucius or the Ass (which only survives in an abbreviated form), and is written in the first person by one Lucius, a storyteller and businessman who, while on his way to Thessaly in Greece, collected interesting tales and eventually, while experimenting with magic, is turned into an ass.  The Golden Ass then recounts his experiences as a donkey, and ultimately his transformation back into human form and his initiation into the cult of Isis.

Scholars have long debated the author's intentions for the tale.  Was it pure entertainment, a fable, a moral tale, all three?  Is it a personal testament of some kind?

Apuleius is last attested in the late 160s CE, and died sometime after that date.



Questions

(1)  What kind of tales is Lucius drawn to?  Why is he drawn to them?  Do they have any common features or recurring motifs?  Are they playful, silly, frightening, horrifying, puzzling?

(2)  How does Lucius become a donkey?

(3)  Does Lucius's transformation into a donkey carry a deeper message about conversion, change, altered consciousness?

(4)  How is Lucius ultimately saved from remaining an ass?  What is his conversion experience like?

(5)  What, if anything, was Apuleius' audience meant to take seriously in this collection of stories?  What is the novel's take on religion, magic, superstition, the gods, fate, chance?

(6)  May The Golden Ass be described as a spiritual quest story?  If yes, what makes it one?  If not, what makes it not?  Is there a moral to this tale?