John S. Ott
Department of History
Portland State University
Fall 2014

(c) This and all linked pages

HST 300: The Historical Imagination
(T/TH, 10:00-11:50, CH 441)




Course description

HST 300: The Historical Imagination is designed to introduce History majors and minors to the basic issues of historical source assessment and interpretation, methodologies, philosophies of History, and pedagogy that historians consider in conducting their professional discipline.  This course therefore explores, through discussion, lecture, and in-class exercises, the historian’s craft: philosophies, theories, tools, methods, and language.   Among the topics considered: the history of historical thought; the elusive nature of the “fact”; debates on the possibility of objectivity; source interpretation and its methodologies; and twentieth- and early twenty-first-century schools and methods of historiography.  We will also begin building research skills and familiarize ourselves with some of the tools central to historical research, with an eye toward preparing students to succeed in the department’s upper-division research readings colloquia and seminars (HST 405-407).

Course objectives
Course materials

All texts below are required and available for purchase at the PSU Bookstore.
Suggested (but not required!) texts for students seeking help or insight into research and writing with respect to the discipline of History and its practices:
Criteria for evaluation

Students will be evaluated according to the criteria below. Assignment guidelines will be posted here well in advance of deadlines.



Plagiarism policy


Plagiarism, intentional or unintentional, is an intolerable infraction in any setting where ideas are exchanged and discussed, and is a violation of PSU's Code of Student Conduct. Papers that can be shown to have been plagiarized will automatically receive a “0” grade.  Students will be required to resubmit their papers, and will be deducted in their grade an amount appropriate to the late paper policy given in the assignment guidelines.  Repeated or particularly egregious offenses may give cause for additional action; note that PSU's Code considers as plagiarism work submitted for other courses and turned in to me as original. Ignorance is no excuse.  If you are unsure what constitutes plagiarism, you may test yourself at this web site maintained by Indiana University: http://www.indiana.edu/~istd/plagiarism_test.html. I consider as plagiarism work submitted for other courses and turned into me as original, and will ask students to submit new, original work.

Students with disabilities

Students with disabilities who need additional consideration for the timely completion of any of the course requirements should speak to the instructor at the beginning of the term, and must be registered with PSU's Disability Resource Center (drc@pdx.edu).

E-mail policy

When e-mailing instructor, please bear in mind the following:

- I consider 48-72 hours to be a reasonable period in which to respond to inquiries.  I am usually much faster than this, but not always.
- I will not, in general, respond to student e-mails received after 5:00 p.m. until the following day(s), nor will I generally respond to student e-mail sent after 5:00 on Friday until Monday morning.  Please plan accordingly.
- Please remember to identify yourself and state your query as clearly as possible.
- I will not fill in students who miss class on the details of a particular lecture or discussion.  Please seek that information from your fellow students.



Course Syllabus

T (9/30)  Introduction to course themes and requirements
Why on earth are you studying History? And what exactly IS it, anyway?
***************
I.  History, Historians, and Historical Writing, seen Historically

TH (10/2)  The History of Historical Writing: Paradigms of Classical Antiquity
Readings:
Lecture1:  Historiography in the Ancient World: Greece and Rome

T (10/7)  The History of Historical Writing II: The Middle Ages and Renaissance
Readings:
TH (10/9) The History of Historical Writing III: 'Rational' history and the Enlightenment

Reading:
Lecture3: Voltaire and Enlightenment Historiography


***************
II.  Methodologies and practices: Getting After the ‘Fact’

T (10/14)  What is a fact? What is a source? Sez who?  How do you find them? Then what?

Readings
:

  • Walter Prevenier and Martha Howell, From Reliable Sources, chaps. 1-3 (pp. 17-87);
  • Carr, What is History? chap. 3 (pp. 70-112)
  •  TH (10/16)  Traps, methods, and approaches for the History writer

    Readings:
    T (10/21)  Writing History with 'style' -- footnotes, bibliographies, and so on

    Readings:
    TH (10/23) TODAY WE WILL MEET AT MILLAR LIBRARY, ROOM 160, FOR A PRESENTATION BY HUMANITIES REFERENCE LIBRARIAN KRIS KERN
    WRITING WITH STYLE ASSIGNMENT DUE, IN CLASS (AT MILLAR)

    ******************
    III.  The advent of 'modern' History (ca. 1800-1945)

    T (10/28)  Leopold Von Ranke: the birth of positivist History
    Readings:
    Lecture4: Von Ranke and Positivism: the birth of ‘modern’ history writing

    LIBRARY RESEARCH ASSIGNMENT DUE, IN CLASS
    TH (10/30)  Marx

    Readings:
    Lecture5: Karl Marx's Historical Vision

    T (11/4)  Whig History and Presentism

    Readings:
    TH (11/6)  Historicism and the History of Thought

    Readings:

    *********************
    IV. Clio and the other muses: New frames of analysis (ca. 1945-present)

    T (11/11) NO CLASS, VETERAN'S DAY OBSERVED

    TH (11/13)  The Annales School, Big History, and Microhistory

    Readings
    :
    Lecture6: The Annales School and Microhistory

    SHORT ESSAY DUE, IN CLASS

    T (11/18) Radicalism and Postmodernism

    Readings
    :
    TH (11/20) Gender and History

    Readings:
    T (11/25) Orientalism and Postcolonialism

    Readings
    :
    TH (11/27)  NO CLASS, THANKSGIVING OBSERVED
    T (12/2) History and the sciences

    Readings:

    **************
    V. Final Considerations

    TH (12/4) The Future of History in Crisis?
    Readings:
    ***SYLLABUS PROJECT DUE BY 5:00 TUESDAY, DECEMBER 9, IN MY OFFICE***