A podcast about fertilizing creativity, hope, and vision by bringing different categories of sci-fi into the public health classroom.
This is a companion audio series to the course Science Fiction & Public Health taught at the OHSU-PSU School of Public Health by Nell Carpenter and Alexis Dinno during the Winter 2024 term
We share the two phenomenal workshops integrating science fiction with public health which our students produced. Nell and Alexis also interview one another about what they have learned of science fiction & public health along this journey, particularly with respect to education, and, of course, they share their current science fiction consumption. Duration: 48:55
Our show and tell segment was a piece of flash science fiction by Alexis titled “Revelation” (copyright Alexis Dinno, 2023). Today we cover our class’ final discussion of N. K. Jemisin’s The Fifth Season. Today’s episode image is fan art of The Fifth Season, including “Alabaster Madonna” (2018) by @Jemppu on DeviantArt (left), and “Obelisk” (2018) by @deathogs on tumblr. Duration: 43:57
In our show and tell segment, Alexis read China Miéville’s short story “Buscard’s Murrain” as it appears in The Thackery T. Lambshead’s Pocket Guide to Eccentric & Discredited Diseases edited by Jeff Vandermeer—a story of particular creepiness to public health professionals. However, this class was entirely show and tell, as we assigned students to share forms of science fiction not centering text which speak in some way to their interests in public health and its determinants. Our students present on (in no particular order):
We spent about half the class playing Ben Robbins’ new story game titled In This World (here’s Ben’s ars ludi game design blog). Today’s episode image is an hallucination generated from the combined output of a large language model and a text-to-image model from a world where libraries serve very different functions than in our world. Duration: 1:01:58
During each class participants bring up works and resources of science fiction and speculative fiction—impromptu show & tell if you will. Episode Extras are a place we share these out. In no particular order from class 6 and class 7:
Ted Chiang’s masterful “Story of Your Life” upon which the film Arrival was based came up… possibly in the context of science fiction about language and translation.
Isaac Marion’s 2010 novel Warm Bodies was discussed as an enrichment of, and reinterpretation of the zombie as metaphor for the consequences of ostracism and demonization.
Embassytown (2011) by China Miéville describes a multi-species encounter investigating translation and the sharing of new language (leaving aside the content of what is communicated with it) as a potent force for revolutionary societal transformation. A similar theme was discussed with respect to Communion (1987) by Whitley Strieber.
Director Gregg Araki’s 2004 film Mysterious Skin was brought up in the context of alien abduction as a kind of white metaphor for experiencing the kinds of violence perpetrated upon colonized and enslaved people. The film also explores alien abduction as self-protective metaphor for violence perpetrated on children by adults.
Finally, Nina Paley’s “This Land Is Mine” scene from her animated feature film Seder-Masochism based on Pat Boone’s song “The Exodus Theme (This Land Is Mine)” was mentioned in the context of settler colonialism and hard feelings in the context of Israel’s current invasion of Gaza.
For our show & tell segment, Alexis elevates Internet literacy, by describing stackexchange-type resources which are topically-focused and community-curated question & answer sites, describing the StackExchange network, and finally lands on the Science Fiction & Fantasy StackExchange. Throughout the episode we discuss different public health themes which arise in science fiction, including novel plagues and outbreaks, climate disasters, as well as collective responses to the same, and personal responses to the same, particularly around experiences of grief. We contrast the way grief shows up in academic writing on population experiencs of death and disease, and the way grief shows up in science fiction. Today’s episode image is an excerpt of the paperback cover art to the 2013 Hachette edition of Margaret Atwood’s Oryx & Crake, which is the first in a trilogy of feminist post-apocalyptic dystopian weird eco-fiction. Duration: 46:08
We dive into how a class role playing game inspired by Octavia Butler’s short story “Speech Sounds” went. The game divided the class into two groups, plus Nell and Alexis, and imagined a world where about half the human species lost the power of speech and listening comprehension, half lost the power of reading, writing, and comprehending non-spoken symbols, and a tiny minority retained full language capacity. A student shared the visioning, planning, and production of Japanese “smart city” Kashiwa-no-ha. We also share our enjoyment of the animated science fiction series Scavengers Reign. Today’s episode image, a work titled New Crobuzon by Deviant Art artist HaHiFiZi depicts the eponymous fictional cityscape under the threat of some extremely disturbing giant moths as written in Perdido Street Station, and other works set in the world of Bas-Lag by China Miéville. Duration: 45:16
During each class participants bring up works and resources of science fiction and speculative fiction—impromptu show & tell if you will. Episode Extras are a place we share these out. In no particular order from class 3:
The Three Body Problem by Chinese science fiction author Liu Cixin (the first novel of the Remembrance of Earth’s Past trilogy) addresses a ‘slow’ first contact spanning generations, and raises questions about humanity’s ability to enter an interstellar social ecology.
Theoretical physicist Carlo Rovelli wrote a non-fiction explainer of the history of the ideas in quantum mechanics titled Helgoland, which is intentionally inflected by Rovelli’s relational interpretation of quantum mechanics. Rovelli’s philosophical orientation provides an example of how “using” science fiction jibes with “doing” science fiction in the example of the (in)famous Schröedinger’s Cat thought experiment.
During each class participants bring up works and resources of science fiction and speculative fiction—impromptu show & tell if you will. Episode Extras are a place we share these out. In no particular order from class 2:
Debt: The First 5,000 Years by David Graeber has a chapter about the (utterly fictitious) mythologizing of a bygone era of barter, which is a kind of alternative history sci-fi which serves as a foundational mythology requisite to orthodox economic theory.
Kiril Eskov’s fan-fic The Last Ringbearer contends with and reinterprets Tolkien’s The Lord of the Rings as a work of state propaganda written by the victors of a genocidal war, and picks up where the so-called War of the Ring ended, and is told from the perspective of characters on the losing side of that conflict. (English translation by Yisroel Markov).
Ex Machina is a 2014 film directed by Alex Garland which is built around the Turing test in a near-future world where androids with generalized sentience are emerging. This work came up in the context of science ficiton as concerned with ethics and social mores. Alexis felt the film landed on the wrong question (Can AI androids be mistaken for human?), and wishes Garland had spent more time with the question How can different intelligences treat one another with compassion?
Ann Leckie’s space opera Imperial Radch trilogy beginning with Ancillary Justice (Leckie devotes much of her work to questions about how non-human and transhuman intelligences grapple with anthropocentric norms around things like embodiment and gender systems)
During each class participants bring up works and resources of science fiction and speculative fiction—impromptu show & tell if you will. Episode Extras are a place we share these out. In no particular order from class 1:
Stina Leicht’s novels Persephone Station and Loki’s Ring
Italo Calvino’s anthology Invisible Cities was suggested as fantastic fiction and science fiction from a 20th century urbanism frame.
The architecture and ideas of Le Corbusier manifested science fiction in architecture
China Miéville’s novel The City and The City provides a mind-bending police-procedural-as-parable for the ways our socially-conditioned gazes are reified in urban design.
During class, someone articulated a desire for more exploration of gender within science fiction. Off the top of Alexis’ head, these were places she recognized science fiction as having already obliged:
Today we examine different answers to the question “What is science fiction”, and consider how answers to this question matter, with insights from our students, and drawing on the words of Octavia Butler, Ursula K. Le Guin, Isaac Asimov, Cixin Liu, and adrienne maree brown. We share a little about space artist Don Davis’ visionary paintings of the Stanford Torus space habitat. We also discuss aspects of literary “gaze”, particularly the colonial gaze, and relate these to utopian and dystopian urges in fiction. An excerpt from the composition “Also sprach Zarathustra”, Opus 30 by Richard Strauss was provided courtesy of PM Music. Duration: 49:30
We introduce ourselves and describe the format for the podcast, discuss how the course came about, and tell you a little bit about our relationships to science fiction. Duration: 12:28