E. Sanders. From,
"At Century’s End. "M. McGrath, “The Long Exile.”
New York, 2007.J. Kavenna, “The Ice Museum.”
New York, 2005.J. Waterman, “Arctic Crossing” New York, 2001.J. Griffits, Wild: An Elemental
Journey. New York, 2006.Anthropologist Edmund Carpenter writes that Eskimos favor acoustic space, which has “no fixed boundaries; it is indifferent to background,” and carries “sound from any direction” E. Carperter, Eskimo. Toronto, 1959I began by asking myself: What are you looking for? Then I walked a thousand miles in one long dream, only to slip on a blank sheet of ice. Standing up, I fell again, this time the Cold War prompted the military to build huge radar dishes, and the island was transformed completely into a military base. This gave Iñupiat jobs on the military’s Distant Early Warning site, but their villages had to be moved yet again, since hunters could be confused for Russian infiltrators entering the Dismal Depths....
from which I emerged nearly two years later shivering and far away from where I began. "Everything seemed distorted by the ice; the distances were impossible to calculate, and the way back passed through a valley of emptiness, with no landmarks available, just miles of rubble."
|
|
the
birch grove toward
the |
![]() |
It
used to be that one eureka followed another
like a mountain of paradigms with no summit. Not only
haven’t I found a mountain, but Arctic
explorers of the early twentieth century
like Robert Peary and even Roland Amundsen often made notes in their diaries
and other writings
of the impassivity or inscrutability of Inuit, little understanding that without
great emotional self-restraint,
life in Arctic conditions would, for human beings of any kind, be impossible.
To be inscrutable, which is to say,
restrained and self-contained in
the North there are no horizons; instead, a "cold
integrity" prevails.
Facing in one direction, I arrived at a place where there are no directions.