John S. Ott (c2019, 2020. 2021, 2024)
Department of History
Portland State University
HST 354U - Early Medieval Europe



Reading Guide 6:

(1) Carolingian documents (Einhard, Saxon Capitulary, Pepin's Anointing);
(2) Dhuoda, Manual for Her Son; Alcuin's Poems, Freculf's dedication of his book




Background to the readings on Carolingian law and politics

For today's class we are reading across a number of quite different historical texts.

Questions

1)    As you read the short accounts that start our readings, keep an eye on how each legitimizes the Caroligian ascent to power. How do they stress Carolingian political legitimacy? Why do you think the first Carolingians (Pepin and his sons) sought papal affirmation of their coup?
2)    Why might the pope(s) have taken a direct interest in the dynastic succession of the Carolingians? How does Stephen try to sway the marriage decision-making of Charles and Carloman? Did the Carolingians need the pope more than the other way around?
3)    How does Einhard organize his biography of Charles? With what does he begin the account, and in what order does he arrange its details? Why?
4)    Using Einhard's biography and the Saxon capitulary as a starting point, how might we characterize the king/emperor’s place in his empire?  What are his duties?  What are his expectations of his subjects?  What is the role of the church and its officials to be?
5)    What role did the Christianization of the Saxons play in the assertion of Carolingian political and legal authority over the Saxon territory? How does the process of conversion compare in this document to other conversion accounts we have seen, such as the Life of Martin?



Background to readings on medieval emotion (Dhuoda, Alcuin)

Dhuoda may have been the daughter of Sancho I, the duke of Gascony, although this is uncertain. She and Bernard of Septimania -- the duke of Septimania (southwestern France), count of Barcelona, and the godson of Emperor Louis 'the Pious' (r. 814-840), Charlemagne's son and successor -- were married in 824 at Aachen. William was born in 826; a second son, Bernard, in 841. In 829, Bernard (the Elder) was appointed Louis' chamberlain, essentially second only to the emperor, and Louis' young son Charles was entrusted to his protection and care. While at court, Bernard was quickly caught up in intrigue and became the subject of rumors that he was having an affair with Louis' second wife, the Empress Judith. Although he fled the palace and his enemies, over the course of the next fifteen years Bernard was stripped of his office and plotted with and against Louis and his son, Charles the Bald (r. 840-877).

In the course of these intrigues, in 841, Dhuoda learned that her husband had given over their son, William, as a hostage to Charles the Bald in order to secure Bernard, her husband’s, good conduct. Shortly afterward, Dhuoda's infant son (Bernard) was taken from her as well. Both Bernard (and William) were dispossessed of their offices by Charles in 842. It was during this time of tumultuous civil war that she dictated and sent the Manual to her son William in 842/43. Shortly after, in 844, Charles the Bald had her husband executed. William, who subsequently rebelled against Charles, was eventually killed by Charles' supporters in Barcelona in 850. The date of Dhuoda's death is uncertain.

The Manual is an exceptional source from the early Middle Ages, composed as it was by an elite laywoman. In form and content, it draws from existing genres (including Mirrors for Princes) and models of Christian motherhood. There can be little doubt as to Dhuoda's emotional suffering at being cut off from her children, however. The Manual survives in only a couple of much later manuscript copies.

Alcuin of York (735-804) was the leading scholar and intellectual of the Carolingian court school under Charlemagne. He came to Charles' attention while both were in Italy in 781, and was recruited to lead the palace school from 782-790 and from 792-800. He was responsible for educating both Charles and his children, and was the architect of many educational reforms. He was also a polymath and prolific writer. Hundreds of his letters survive, along with poems, works on grammar, theology, rhetoric, astronomy, mathematics, and poetry. He trained many of the leading intellectuals of the next two generations, and was made abbot of Marmoutier, outside Tours.

Questions

(1)    How, and in what circumstances, did medieval people express emotion? What emotions are portrayed in our texts? When are they given license to be expressed?
(2)    Do Dhuoda and Alcuin feel a similar sense of responsibility to their dependents (children and students)? If so, what is the nature of that responsibility? What do they expect in return?
(3)    How does the expression of emotion in our readings compare with expressions of emotion – private and/or personal – in public life in modern U.S. culture?
(4)    How would you characterize the kinds of moral education Dhuoda and Alcuin seek to instill in their dependents (we'll follow up on Carolingian learning next week, too)?